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Since the end of the 1980s, beginning of the 1990's, much of the work is defined under the observational method of VACAT; as it were, programmatically conceived as ''missing''.
Essential is the interstice, the not-shown, the hidden, the buried. Further reference is made to the interstice as the essential element, remaining virulent in times of abundance.


Installation and Video from: GIULIA FA LA STORIA /
GIULIET MAKES HISTORY,
2014-2016 (with Elisabeth Wörndl), in Rome, Vienna, Arlena di Castro (TU)

 

Vierteldrehung Wienergasse
at EVA – Experimental Video Art, Bangkok

VEZA fehlt (together with Natalie Deewan),
projection 2013 and permanent installation on the firewall at Ferdinandstraße/Tempelgasse, 1020 Vienna
www.taste.at/vezalebt

 

Luftloch, 1997/2003, St. Lambrecht, Klagenfurt, video / Künstlerhaus Klagenfurt, installation


Erdkabel, 1991/92, Künstlerhaus Klagenfurt /
Museum Moderner Kunst, (Museum of Modern Art), Vienna, installations


Wetzstein, 1994, Bruxelles, De Markten, installation


Telezelle, 1989, Technisches Museum Vienna, installation


VACAT, 1992, Galerie Stalzer, object